Victor Wooten

Some musicians truly transcend their instruments and Victor Wooten is a case in point. He views the bass as means for communicating his musical creativity, takes chances with the instrument, and draws inspiration from a number of sources. For example, he suggests giving a bass guitar to musicians of other instruments who have never played the bass and seeing what they do with it. His transcendence is no plainer than at his live shows. A popular clip is his performance of Amazing Grace from Live at the Quick. Although this clip and Norwegian Wood display his command of the bass around a popular melody, they do not reveal the full extent of his magic. The following video does not have the best recording, but it shows what I mean:



The highlight though is when he de-tunes and re-tunes his bass while he jams. I had a hard time finding a good video of it and this is the best I could get (turn down your volume before you play):



He also makes a loop and solos around it. All of his albums are worth getting, though not all of Live in America appealed to me. Lastly here is a cool re-edit of Bonham alongside Wooten (there are only a few images on the video, but the track is done well):

Béla Fleck and the Flecktones

Béla Fleck has been a favourite artist of mine for a number of years; the variety of his releases (from Tales of the Acoustic Planet to Perpetual Motion) is staggering, as is the extent of his collaborations (from Dave Matthews to Chick Corea). His work with the Flecktones is no less outstanding. Seeing Victor Wooten live is an amazing experience: he can de-tune and re-tune his bass while playing it. Futureman holds his own in innovations and Jeff Coffin continues the legacy of Roland Kirk. Béla and the Flecktones have always been at the forefront of technology (DVD Audio on Tales of the Acoustic Planet 2 and DualDisc of Hidden Land ) and the breadth of their collaborations and styles of play can easily be grasped in Little Worlds and Live at the Quick. Live at the Quick remains one of my favourite concert DVDs and features a number of guest musicians of whom Kongar-ol Ondar is the most notable.

Béla's new project is a film on his journey to Africa, the birth-place of the banjo (of course, jamming with the locals). It looks to be a promising film and has already picked up awards. The cool graphics of the website is really worth checking out. Here's the preview of Throw Down Your Heart:

The Guardian

Although I was stung when Noam Chomsky included the Guardian in Manufacturing Consent, I have come to respect this news source. In general, I'm somewhat wary of all mainstream media, especially when it stirs up kerfuffles like Obama and Wright (At least the NY Times quoted Achelpohl who stated, "This is a media-driven thing and a presidential candidate shouldn’t have to vet every person that he has had a relationship with in his life."). I frequently read the Weekly, an outstanding publication with features from Le Monde and the Washington Post, (I particularly enjoy World roundup, Comment&Debate, Culture, Books, and Diversions). The Guardian is also one of the RSS feeds in my Bookmarks Toolbar Folder. What stands out about the Guardian though is its extensive adoption of modern technology, e.g., podcasts, interactive maps, and more than the usual superficial reference to blogs. The City Guides are excellent; they are podcast tours of a number of European cities. I just listened to the Paris 1968 walking tour. Although I was not in Paris at the time, I know the city well enough to follow along in my mind. If you listen you will learn much about the city and the period; here are my favourite parts. Near the middle Sarah Wilson states, "Paris designed by Haussman is a series of very very direct boulevards designed really for military things; in fact, confrontations with the police, which is what 68 is all about. In fact, the situationist idea goes all the way back to surrealism with the important ideas of psycho-geography, finding surprising and weird places in the secret Paris, but also to in, more important, 68 ideas that of dérive (swerving) and détournement (diversion) ..." Just before the end Andrew Hussey states, "It is truly the first post-modern revolution, that is to say, it's not a revolution driven by nineteenth century Marxist ideas of class, but to do with boredom, boredom with consumer capitalism, to do with a sense that everyday life itself is a con trick that's been perpetrated on us."

New Music (to me)

I have been downloading a lot of music lately. One goal of mine has been to complete albums for which I only have a few songs (usually due to the high price and low quality of iTunes, except Plus, see mp3fiesta). Other goals were simply to expand my musical horizons, check out new releases and get further releases from favoured musicians. Of course, MySpace Music is an awesome resource and I can't wait for its store to open. The store should provide an easy way to access all that good music and will save me emailing artists about purchasing their music. Frank Mackie, whose song New Wave Fall Express was featured in the last Shralp Snow videocast, is a recent favourite.

Throughout this downloading process, I have found some gems and disappointments. Flight of the Conchords' Collection is very disappointing and besides the hilarious song "The Most Beautiful Girl in the Room," The Distant Future is pretty weak. Although Shawn Colvin's latest album, These Four Walls, is fairly good, it's just more of the same, so I wouldn't recommend it if you have previous albums. Groove Armada's latest Soundboy Rock has some good songs, but none that make it stand out, though it's still worth getting. Last Night by Moby has some new beats and if you like his style you'll enjoy this album (the chords from his keyboard still weave through the beats creating a lulling flow and there is a good selection of vocal tracks). After Cru and the Life Aquatic soundtrack, I looked forward to hearing Ana and Jorge. There are definitely some good songs, but the album and the concert lack fluidity and compositional congruity. My introduction to Ana Carolina was the best thing I gained from the album. Her deep voice and amazingly lengthy high notes compliment Jorge's raspier voice; the same goes for her crisp guitar playing, which compliments Jorge's loose-string casualness. Ana can also funk the bass; listen to Tanta Saudade. Of course, they had their hits and their version of The Blowers' Daughter (from O and Closer) is good in a pop way:



This song reminded me of K'naan and Nelly Furtado's duet. Check out the drum box (I've heard Futureman play them live a few times; they're awesome):



Bebel Gilberto reaches for new heights with her title track Momento; it has the finesse of some of her mother's work. Although her voice on Close to You reminds me of her father, the next few tracks seem somewhat redundant, each having the same pop construction. With Cacada the polished tunes in the same vein of Momento returns and continues for most of the album. I've always found her previous albums patchy to some degree, so if you enjoy her previous work you'll enjoy this one.

Global Care, Cheap and Easy

Purchasing green products does decrease your footprint, but a number of solutions cost no money. Reducing consumption is an obvious one, but one that needs to be stated more often in North America. The Hungersite and its family of sites only require a click to make a donation to various causes or purchase endangered land. The donations are made possible by donors and advertisers. Over the years the website has been greatly improved, so the process is easier than ever (if you stopped clicking due to its inefficiency, try it again). The site has tabs down the side that contain concise information on a number of issues and fair trade items can be purchased through the site. EcologyFund works the same way as the Rainforest site. Both sites tell you how much land has been saved (on the Hungersite the info appears after you click, while EcologyFund has it in the sidebar); encouraging. I have these links in my Bookmarks Toolbar Folder, so it's easy to click every day (you can only do it once a day). To add them there, assuming you're using Firefox, just click Bookmark This Page and select Bookmarks Toolbar Folder.

Nature Conservancy Canada (NCC) has partnered with UsedEverywhere, so sellers can donate a portion of their sale to the NCC. Sellers doing so will have a NCC logo next to the item for sale.

Don't forget World Fair Trade Day on May 10th.

Brisk Berry Blend

After a snowfall last week, spring has arrived in Victoria; finally, I can don the batik shirt I brought back from Indonesia in February. Today, to quench my thirst, stay awake and get a little buzz, I invented a divine nectar (my usual at 2% Jazz and the Black Stilt is better suited to cooler weather and evenings). Dig out your blender or hand-blender and mix together 1 1/2 cups of chocolate ice cream, 2/3 cup of frozen blueberries, 1/2 cup of ice, 2 to 3 shots of espresso, 1 cup of milk, and a shot of blueberry liqueur. If fresh blueberries are used use 3/4 cup of ice. I used Thetis Island Vineryard's Blueberry Fruit Wine; if you prefer a blackberry flavoured drink, use blackberries and Cherry Point's Blackberry Port.

Vitriolic embers and definitely maybe

In the same way that Snowman's old addictions "burst into full and luxuriant bloom," my prejudices lie under the desert sands (Atwood. Oryx and Crake, 333). When and what will ignite my embers varies, but a good rant often burns them out. A rant can't be a sanitized tract on bullshit (people say "bullshit" when they're mad or hurt), but must get to the point like a Difranco tune. Call it as it is. Be a race car driver. Leave your suburban sloppiness. Learn to corner, gear down, and accelerate smoothly:



Frustration is "why don't you value what I do?" or "why don't you hear me?". Don't you know how much more efficient and safer the traffic flow would be if you took driving seriously? It's not something you do while talking on the phone, eating a burger, reading a paper, etc ... . Well, I feel better. But I've been there, kids screaming, phone ringing, and late; mistakes happen. Oh ... yeah: the song changes from Untouchable Face to You Had Time. A chill flows through my veins taming the conflagration. Dissonance changes to resonance, the imperative to the subjunctive. Now, the hunks of peat sizzle softly, warming my bones. Beauty's got me.

Fiskiness

Robert Fisk has always had a lot to say on the Middle East, and deservedly so. In London last week he commented that if modern reporters would read and consider history books in their reporting they would know that Churchill spoke about a "wealthy, crowded Jewish state, armed to the teeth" as early as 1937. The Guardian, which reported this story, produced Rachel Cook's candid interview with him in Beirut the next day. A month ago, Fisk pronounced that after five years in Iraq and we still haven't learnt our lesson. More recently, after an engagement in Ottawa where he stated that the audience was at liberty to condemn Israel and America, he has shifted his focus slightly, to Bush. He has come to the conclusion that Semantics can't mask Bush's chicanery. I personally think that chicanery is too strong a word for Bush as it implies a certain craftiness, which Bush, but not his close circle, lacks. Nevertheless, Fisk clears up the vagueness surrounding the actual casualties and deaths in the war and what has (not) actually been accomplished. His analysis and comments, such as the prevalence of "re" in Bush-speak, nicely complements other elucidations made on the occasion of the war's fifth anniversary (see Barackidiness2; for Iraq in general. Middle East Mess, Duped and Iraq Bits; for Bush's qualifications, Can the English Language Survive George Bush? and his phonetic teleprompter). Although I agree with and enjoy most of his pointed remarks, Fisk always provides enough fact and sentiment to tone down the offensive ones.

Reflections of an old(er) man

My absence from the blogosphere is easy to account for: on Tuesday I aged a few decades when my back went out. The list of "no longer ables" is a mile long and even as I write now I'm lying flat, regretting the purchase of my heavy laptop, which presses hard against my mid-riff. Like the aged, I have had much time to reflect and read. I read The Children of Hurin, The Guardian Weekend, some academic articles, and made some good progress through Oryx and Crake, a wonderfully written social commentary; however, it's the time for reflection I've really treasured. My nine year-old son took up the slack and unloaded the truck full of compost, which had mocked my condition in its untouched state in the driveway, carefully spreading it around the plants in the garden. I've often been the blessed recipient of his outside-of-school work ethic, such as a divine breakfast-in-bed served upon a fully furnished platter after a lie-in. My laid-out state caused my four year-old daughter much consternation and she would frequently check on me and pat my arm or kiss my cheek; then there's the selfless labour of my wife, all the meals, work and cleaning.

Receiving blessing amidst this pain got me to thinking about my interactions with others. My sub-conscious must have been doing the same because before I fell asleep the other night I had a vision of a tumbleweed in constant (and random) motion bumping into a wide circle of stationary objects. In my lucid state I took the tumbleweed to be me and the pillars, those I interacted with. The picture seemed to benefit me solely, so a top, more specifically a hard, pointed, and long-spinning Bey-Blade (I can't believe they once cost $15) might be more appropriate: the blades could actually take out chunks to represent what I took from others, the borrowings from their soul. Of course, all this imagery is rooted in my self-focused condition, but it got me to thinking nonetheless. In the same way that a whirling dervish can signify divine communication, so can water molecules represent human interaction: molecules mixing amidst eddies appear like humans moving through experiences. To get a sense of what I mean watch this:



Each person dancing and sharing yet also alone, swimming yet pushed by the currents. Are we propelled through life by the force emitted by the movement from withdrawing to socializing, taking to serving? Or some other force? Who knows? But at this time I especially enjoy the weightless feeling of being around family and good friends. Keep swimming.

Recycling and Purchasing Responsibly in a Consumer Culture

The harsh reality of a lack of concern for the environment becomes apparent to me whenever I fish recyclables out of the trash. Landfill bans have lessened this experience somewhat, but initiatives, such as every public waste-receptacle having separate compartments for biodegradable, non-biodegradable, and recyclable would have a greater impact (I can't tell you the number of times I've had to hunt for a place to put my recyclables; that is, in every place except Cebu airport, which has these). Furthermore, a recent article has shown that Canadians print an average of 30 pages a day at their offices and discard of 40 percent of these immediately after printing; only a third felt guilty for this behaviour, while three-quarters were concerned about their impact on the environment, though apparently not concerned enough to use print preview and double check the number of pages selected.

Putting the waste in the proper receptacle and reducing paper (reading on the screen is much less strenuous with today's monitors and programs that manage files for easy retrieval, e.g., Endnote, RA Document Organizer, IdeaTracker, and others) requires little thought, especially if you've toured a landfill or a developing nation to see what the consequences are. Recycling has also become easier with the addition of a number of items, such as tin foil, to the recyclables list (I'll soon be posting another entry on recycling in Victoria, including how to dismantle non-recyclable items, so their parts can be). Nevertheless, much waste is generated by consumerism; if you don't wish to petition companies or research how much waste they produce, you can vote with your dollar, i.e., purchase items in bulk and with less packaging. Manufacturers also save money with less packaging or providing digital products in downloadable form and the amount of green house gases produced is greatly reduced due to resultant increase in transport efficiency (more items can fit in a container). I can't believe Thrifty Foods advertised items as "flown in" to emphasize their freshness, but which really betrayed the emissions generated.

You can also, with some research and care, choose products that have less impact on the environment. A number of classifications, such as Organic and FSC, provide a guiding hand. Of course, the environmental impact becomes more acute with the purchase of larger items, such as furnaces and cars; heat pumps and hybrids, in general, are the best option (ten years, the period it takes to recoup the additional costs goes by really fast). Many websites rate the energy efficiency of cars and other items, but beware because none of these ratings are standard like EnerGuide. Nevertheless, researching every day items can be tedious (it took me ages to find the Fuchs Ekotec toothbrush with a replaceable head); that is pre-Zumer.

Zumer is a new website, which is now in beta and offered by invitation (click the link to request a membership by email, from then on it's pretty much straight forward), that simplifies this process. Upon registering you fill out a questionnaire with four categories: EcoFriendly (I love the question of paper products with the option "I only use a bidet"), Social Justice, Product Advocate, and Corporate Watchdog. Then you search or browse for products, which are ranked according to these preferences. You can then click on each item to find out details about the product and the corporation that produced it. This feature is very helpful. Zumer covers a wide array of items from laptops to handbags and has a number of categories that are not active yet, so once the final version is launched it will be fairly comprehensive. The same goes for the inclusion of lesser known brands (often more environmentally responsible). This site is easy to use and I recommend it; look out for its official launch in the near future.

Once you get this process of making informed choices down it becomes effortless. Of course corporate responsibility and environmental impact can only form so many of your choices, but on the whole organic and socially conscious products are produced with greater care and taste better. Hopefully corporations will pay attention to Zumer and your choices and change their practises accordingly. See Walmartification, Creation Care, and Biblical Environmentalism for more on the environment.

Magical (re)interpretations

Due to mp3fiesta's accessibility, calabash and epitonic's wide variety, and friends' good taste, I have been listening to some very good music lately. Like many fans I usually frown upon the release of greatest hits albums, usually viewing them as a money grab and preferring the "hits" in their original context; however, every now and then I am pleasantly surprised. I have been thoroughly enjoying Mothership, not so much because the songs were chosen by the surviving band members themselves, but because the re-mastering of the songs is magnificent. I have a newfound appreciation for the intricacy of Page's guitar work and Plant's high pitched screams. I cannot overstate the clarity of the recording; it's first class and worth many times the dollar I spent on fiesta. Even Stairway to Heaven, a song which has been forever tainted by too many plays as the last song at school dances, bristled with Page's fine guitar work. I now appreciate the band much more than the grainy 70's and 80's tapes ever allowed. Given the lower tones associated Jones and Bonham's work, the improvement is not as noticeable; however, they still drive many of the songs and I found myself air drumming and moving to the bass more than ever. Only the cowbell in Houses of the Holy made me wish for less clarity.

Lenny Kravitz has always focused songs around blazing guitar licks (sometimes with off-set bass lines), frequently blending the melody lines into them. He pulls this effect off well in his new album, It's Time for a Love Revolution, especially on songs, such as Bring It On, Love Love Love, If You Want It, and Dancin' Till Dawn. I think he must have been listening to a lot of the Beetles when he recorded it, because some songs have a Beetles feel, e.g., I'll Be Waiting, I Love the Rain, A Long and Sad Goodbye; Good Morning even includes McCartney's distinctive yell. Some of the songs, Bring it on and If You Want It, have religious overtones, but this is nothing new to Kravitz's music. Overall, a pretty good rock out session.

Since hearing Bach's Air put to beats on Buddha Bar - Ten Years, I've become addicted to this re-interpretation of classical pieces. Two outstanding albums, Mozart l'égyptian and Lambarena: Bach to Africa , do this well and are a delight to listen to. Mozart includes more of Mozart's famous melodies, which are played on Middle-Eastern instruments and put to voice in Arabic, while Lambarena tends to reinterpret Bach's music and the melodies are not as accessible.

I just found out that Bruce Cockburn and Romeo Dallaire's Child Soldiers No More concert is coming to Victoria on October 4th. This should prove to be an amazing evening; both men have a deeply personal message and exude talent. Dallaire's scarred journey is particularly compelling; no doubt I'll have a review of it in October.

Valuing the Humanities and the Arts

As a student of the humanities and an artist, I often feel the need to justify my vocation. On the way to school I regularly face a gauntlet of neighbours and family who, ignorant of my preference for late nights, remark on my late start. With every passing year, funding requires more work to for qualification and is harder to come by. Last year my choice of office was a dilapidated WWII era hut or a crowded room; I only complained once I saw the plush equivalent in engineering. Furthermore, I am not alone: Chad Gaffield, the new president of the Social Sciences and Humanities Research Council (SSHRC), now seeks to “make crystal clear the ways in which SSHRC advances knowledge and invests in human capital” to the Harper government, which can be argued is suspicious of SSHRC. So what is the value of the fine arts and humanities?

Fine art provides a way for humans to make sense of their world. It helps us grieve: just think of the powerful anthem, “like a candle in the wind,” belted out by so many at Diana’s funeral to expunge the grief from their souls. The arts provide us with a dialogue when ours has been lost. They speak the unspeakable. It is uncanny how often a song comes on the radio, a painting comes into focus, or a poetic phrase catches the ear which expresses the deep groaning that is even incomprehensible to us. Karen Armstrong, speaking of poetry, phrases it this way: “Poetry matters, among many other reasons, because it is by its nature revelatory, surprising, and liberating. It re-connects us with the familiar world we mistakenly think we know while offering glimpses of the mysterious and untranslatable worlds we know we don’t know” (Tapestry October 30, 2007).

It is pure wonderment how words find their way on to a page or into a melody. I love how Gwen Stefani describes the process: “Sometimes it's so hard to find out what I am trying to say. People might think you can turn creativity on and off, but it's not like that. It just kind of comes out, a mash-up of all these things you collect in your mind. You never know when it is going to happen, but when it does it is like magic. It's just that simple and it's just that hard.” Nevertheless, the artwork seems to take on a life of its own when released into the world. Alberto Manguel states, “Under certain conditions, stories can assist us. Sometimes they can heal us, illuminate us, and show us the way. Above all they can remind us of our condition, break through the superficial appearance of things, and make us aware of the underlying currents and depths. Stories can feed our consciousness, … .” (The City of Words, 9-10).

So art matters, it's inherently precious, even magical, but what value does it have? Ironically, although art helps us process the overpowering and speak out our inmost thoughts, the personal experience rarely has currency; namely, the cathartic love, anger, drama, and sadness soon fades when related to another. I can’t number the times I’ve tried to recapture a mood and failed; I always want to ask, “Didn’t that piece touch you, pamper you, and grant mercy to you?” Even when art is experienced together, each individual comes away with unique impression, never mind other factors that influence experience, such as trends and critics’ opinions. Art is enigmatic: personal yet communal and elusive yet accessible.

Art’s value is more than personal betterment and access to the sublime. Art speaks to us about the human condition: how and why people act as they do, what people experience and how they express this experience, or what causes humans to tick. The humanities are disciplines that examine multiple forms of art in their historical context and the context of other pieces of art to answer these questions; scholars revive, restore, preserve, and interpret artwork. Provided there’s not too much ivory-tower jargon, these scholars can disseminate the understanding on the human condition. They can accomplish this in oblique ways, such as The Lord of the Rings and Narnia series. This field also includes philosophy and history; scholars from Berlin to Ignatieff have disseminated insightful perspectives on their current worlds. Understanding the past and the cultures of the past does provide a lesson we can learn from.

Yet, despite the valuation of master artworks, record deals and box office profits, how can art and its study be valued in dollar terms.?It can’t. Although today's market-place has no way to value the abstract or intrinsic (the environment is a good example), some dollar term needs to be assigned to them. They need to appear in the budget since their value can no longer be assumed in today’s reductionist climate. Sure any value is ambiguous, but funding needs to continue. How can one value the work of authors, such as Günter Grass (despite his role in the Waffen-SS), have had a deep impact on their country’s ability to process trauma and heal; in Crabwalk, he states, “History, or, to be more precise, the history we Germans have repeatedly mucked up, is a clogged toilet. We flush and flush, but the shit keeps rising. … By now, after all, we Germans have come up with expressions to help us deal with the past: we are to atone for it, come to terms with it, go through a grieving process” (122). How about those who bring understanding of the plight of others, e.g., K'naan, or understanding among cultures, e.g., Solzhenitsyn? The media just brings new information, facts and figures, and no way to process them. As Louis Riel stated, the artists would be the ones who gave the people (Métis) back their spirit once they’d been asleep for one hundred years. Don't they do the same for us now?

Canada on the world stage

I've always been well received as a Canadian in my travels and even experienced about-face reactions when angry or reserved people learn I'm not American; however, there are times when I'm less apt to wear my Canadian-ness on my sleeve. Today is such a day: Canada has derailed a UNHRC resolution to make clean water a basic human right. Although I understand Canada's reason for doing so (their afraid that they'll be forced to sell or give water as a result), I do not approve of this motion. During Harper's tenure Canada seems to have lost its sense of the greater good and become overly concerned with the legal implications of every decision. While I in no way suggest the government or any one else ignore the advice of lawyers, it's no good to be paralyzed by the "what-ifs". For example, the main reason Canada has not made an apology to the First Nations, like Australia's, is that it may be exploited legally as an admission of guilt; Canada purposely avoided the term in the 1998 statement of reconciliation concerning the abuses that took place at residential schools. Still, Australia did it. We have not, although the AFN would welcome it. Instead, Canada has voted against a UN's native rights declaration; McNee, Canada's UN ambassador, stated the declaration was "overly broad, unclear and capable of a wide variety of interpretations."

The Harper government has also softened its stance on capital punishment: for the first time in ten years, Canada has not co-sponsored the UN resolution on capital punishment and it has stopped seeking clemency for Canadian prisoners on Death Row. These actions have been denounced by Human Rights Watch and Amnesty International. Never mind Canada's role in trying to derail and eventually dilute the Bali talks on climate change. Read McNee's statement to the UN or the many critiques of Canada's climate change plan (e.g., Suzuki). These examples show that the Canadian government is frequently guided by technocrats, legal advisers, and making America happy. What about the great Canadian ideal which is rooted in Canada's role in liberating Europe, serving as peace-keepers, and not joining the invasion of Iraq? Is this just propaganda from a world past or is its absence indicative of a lack of cohesiveness in Canada?

National identity is a vast topic indeed, but I think some firm decisions governed by more than the pragmatic would go a long way. Canada also seems to dilute its identity, as if it's hesitant to be too proud: it is the only country I've seen that has no division between residents and visitors at immigration and probably, the only country that on government forms and surveys defaults to "select country" on a world list rather than default to "Canada" or at least list "Canada" first on the list. Furthermore, there is less consistency among the official languages, for example, upon disembarking the plane at Vancouver I saw only Mandarin/Cantonese signs directing the way to immigration (I relied on the universal symbol to find my way) and in the lavatory saw an English and Spanish sign; I am speaking of languages at an official level and fully appreciate the diverse nature of Canada and ethnic districts that have signs in various languages. So what brings definition for me? Stan Rogers, Glen Gould, Trudeau and Stephen Leacock from the past and CBC radio, the Hip, Hockey Night in Canada, Dallaire, and the great number of immigrants (poets, scholars, artists, and athletes especially) at the present. My vision of Canada would have Harper banning the import of fossil fuels in ten years to address climate change and providing a cohesive plan for doing so; apologizing to the First Nations; and upholding Canadian law on capital punishment. In other words, I envision Canada as a leader rather than a hesitant follower.

Barackidiness2

Obama has an amazing talent for summarizing history and relating it to the issues of today (watch A More Perfect Union and see Barackidiness1). "It is a fearful thing to lead this great peaceful people into war... But the right is more precious than peace." In a speech on March 19, he used this quote by Woodrow Wilson just prior to WWI to question Bush's invasion of Iraq. He notes that the Iraq war has now lasted longer than WWI, WWII (America's involvement in it), or the Civil War and will cost at least one trillion dollars.



For some fun, here's a remake of Hilary's visit to Bosnia where she encountered sniper fire.



barelypolitical.com has a number of funny spoofs, including ObamaGirl who fights the of the political world, but can be overcome with emotion.

Derrick, a Barack fan

Here is a good video that has generated much discussion on YouTube. Derrick Ashong is an eloquent supporter of Barack Obama and discusses why he supports Barack in this video. He is also the lead singer of Soulfege, so the video was also featured on Calabash Music.



It was followed up by a second video that corrects some misconceptions about the video, e.g., whether the Obama campaign sponsored it and has Derrick speaking in a more personal manner. I love the quip about his mother not being impressed that he had gum in his mouth for the shooting of the first video.



It is interesting how the race has progressed so far. Clinton has won the large states that have large economies, although by a slim margin in most cases and Obama has won across the nation with little regard for corporate interest (most of his campaign financing comes from individual donors). Texas and Ohio showed how readily voters change with the wind of the media. I hope people get back to thinking and trusting their gut rather than worrying about experience (do Clinton's years as First Lady really count?) and what Obama's retired minister said. It's as ridiculous as Fox News' headline story with "latest developments" on the school he attended in Jakarta, see CNN's debunking of this story here.

mp3Fiesta: an iTunes alternative

Music on the net involves a quagmire of issues: who gets paid, if any one. I myself prefer direct distribution from the artist and have been unsatisfied with the limitations of DRM (Digital Right's Management, the authorized computer function in iTunes and WMP) music, especially when I can't put music on devices like my PSP (see Music, Shock Rock and Gracenote for more). Lately, I have been downloading music from mp3fiesta, one of many legal download sites based in Russia. The major advantage of these sites is that they are cheap $0.10 a song or $0.99 an album, 1/10th the price of iTunes. I don't know how they can be so cheap and legal (the website explicitly states that they pay copyright fees), but the fact they are based in Russia probably has something to do with it. The reason that I never got into torrents and other free downloads is that I value art and the artist and want them to get their cut. If mp3fiesta can pay the artist and make a profit, it shows how little the artist gets from the record company. Anyway given that very few recording-artists offer direct downloads, I'm left with little choice for music.

Another advantage of mp3fiesta is that it offers music at much better bit rates (162 kbps and higher) than iTunes (128 kbps) and the rest (Napster, Amazon, and Wal-Mart). Bit rates for newer albums can be as high as 320 kbps, so I never feel the need to buy the CD anyway for better quality (something I often feel with 128 kbps). Also, downloading can be a good alternative to ripping your CD collection, since it's faster and less hassle (after re-purchasing your albums let them download at night) and way cheaper than using a ripping service. The catalogue is respectable, so you'll find much of mainstream music and less of the obscure. The process is simple: sign-up, pre-pay, and download. The pre-pay feature is common among sites of this type and helps them keep their price down, for some it's a pain, but I prefer it to a number of $0.99 charges on my credit card statement. The site is no where near as elaborate as iTunes, so it is a bit awkward to listen to a sample and download the tracks. Unlike, iTunes, which puts them directly into a playlist in no time, each song must be downloaded separately and then added to the iTunes or other player's catalogue.

Bulk downloading can be accomplished by using Firefox (simply the best browser) and the add-on DownThemAll!! (you click on the "Add to Firefox" link to install it). Then DownThemAll!! has to have a filter added to it to identify .mp3 files. Open the program, in Firefox under Tools, and click Preferences then Filters and Add New Filter. In the caption box type ".mp3" or something like it and in the extensions box type or paste (no quotes), "/\/[^\/\?]+\.mp3$/". Now you're ready to go to .mp3fiesta's download page (or that of any other music site). Open DownThemAll!! and click Start. The downloads will begin immediately. The program downloads files very fast by downloading a number of packets simultaneously and then reassembling them. DownloadHelper is another good program that can be added to Firefox in the same way and requires little modification. Although this program identifies media files quickly and downloads them, it opens the download window after each download or batch download, which interrupts your web-surfing. Nevertheless, you can disable the Downloads window in Tools/Options/Main or minimize it. I have installed both to ensure seamless downloads and both work well for video downloading as well.

Then you can put the downloaded songs into files by artist and album, if you like, before adding the files/folders to iTunes. If you're not using iTunes you have to do this most of the time anyway. The best thing about the site is that albums are so cheap that you won't feel bad if you don't like it. Lastly, ensure you backup your purchases because you can only download them for 48 hours (to keep traffic down on their servers). Have fun!

Calabash Music, which I've already mentioned in Music, is a great source for world music, including North American folk music. The best thing about this site is that they offer ten free songs a week! They have a good catalogue and a strong mandate for supporting the artist through promotion and granting a fair-share to the artist. There is also a lot of good information on the site about world music, since it is also the operator of the National Geographic world music site. The service works like mp3fiesta (pre-pay and download page), but is more expensive, $0.99 a track. The one disadvantage is that DownThemAll, which works flawlessly elsewhere does not work so well here. DownloadHelper also misses tracks but has more success, damn pop-up window. Expand your musical horizons by using Calabash.

Walmartification

Those of you who have spent any time with me are familiar with my passion for the environment and purchasing of fair-trade items. I now, thanks to Ten Thousand Villages, regularly purchase fair-trade olive oil (the purchase of Zaytoun olive oil also supports Palestinian farmers), sugar, spices, chocolate, tea, and, of course, coffee. In addition to the awesome textiles and crafts at Ten Thousand Villages you can purchase fair-trade clothing at MEC and other awesome stores (lower Johnson Street in Victoria rules for this). Although some major outlets, such as Costco Canada now offer fairly traded coffee (it's not a joke), the mighty Wal-Mart has not. Wal-Mart with its huge purchasing power and demand for ultra low prices from suppliers goes against the very principle of fair trade. Read The Wal-Mart Effect to get some idea of the extent of its power. Many I talk to find Wal-Mart's allure hard to resist, but it can be done: I have yet to purchase an item from a Wal-Mart. Who needs all that cheap plastic crap that purchasers rarely recycle. To see how scary the Wal-Mart effect is watch this:



Awareness is key. Do you think it is possible to produce products super cheap without exploitation and extreme environmental degradation? Vote with your dollar and say yes to fairness. In addition to fair-trade and organic products you can look for businesses participating in the onepercentfortheplanet program. If you need some more motivation calculate your ecological footprint or travel to a developing country.

Sacred Spaces

I haven't been blogging much lately because I've been working on my thesis and a talk I gave at UVic last week. I have been researching the impact of natural features, such as caves, springs and forests, on the placement of sanctuaries. Here are a few photos I found of modern examples of this phenomena.

Catholic church in Palompon (Leyte, Philippines).

Church in Cairo.

Athens in a cave under the acropolis, an ancient shrine converted to a modern one. I shall have a good chunk of my thesis done very soon. When that is done I have a bunch of posts that I've roughed out that will get fixed up and posted.

Latrines to Lavatories: an aesthetic journey

Roman latrines were a technological marvel that brought efficient and large-scale sanitation to the world.


This latrine at Ostia, though heavily re-constructed, shows that some care was taken in its decoration (the walls would have been plastered), especially compared to the "facilities" of the Middle Ages:


Of course, there were some sophisticated examples:


In the modern age, the lavatory in the Sao Joao da Madeira shopping center in Portugal surpasses all.

The Cafe Batavia has the coolest sinks.


Here's a more complete history.

Barackidiness

A week ago Barack Obama took viewers on an eloquent journey through American history. In his characteristic manner he empowers Americans, and fans from other countries, to create the picture envisioned by America's founding fathers. His vision, clarity, €understanding, wisdom and qualification to govern America is made all the more clear when this speech is placed on the backdrop of Hilary's exaggerations.



Also you can read the transcript. Drew Westen in the Huffington Post states that it was a brilliant discussion of race, class and patriotism shows substance unlike any politician in recent history." I love his description of Obama's response to the "'pre-game show' of cable commentators: But then, for 45 minutes, I saw a man who for days had appeared somewhat at sea, buffeted by waves that relentlessly pushed him off course, seem to find his compass and chart a course directly into the eye of the storm. I saw a man with the inner confidence, and the steadiness of a captain who knew he was sailing on uncharted waters but needed to go there anyway, take the nation with him and land them safely on the shore."

Munching lotus

Today I feel like time has really passed me by. I started reading Buxton's Imaginary Greece from 1994 and can't believe I'd missed it. I haven't been smacked this hard by an academic book since Brendel's Prolegomena. His clarity is compelling, e.g., "In spite of (or because) of the fashionableness and obvious fertility of the topic [Greek myth] ... there is a residual feeling that to treat mythology as a distinct area of study ... is a gambit bound up with Theory, Methodology and The Continent, and is thus not quite sound." I also appreciate his honesty, e.g.,"I hope, in short, that the present book will reach the wider audience too. To that end I have tried to cut down the jargon with which scholars like to armour-plate themselves" (see Nimis' serious yet entertaining article on the use of footnotes for this purpose).

I really enjoy Stumble Upon and the concept behind it. Bumbling along I've found so much richness. Late last year, I found Rumi. Wow! 2007 was designated the International Year of Rumi by UNESCO and in commemoration of this event Coleman Barks wrote Rumi: Bridge to the Soul. This book has wonderful translations of 99 poems and an excellent introduction. My favourite line in the book is from Saladin's Leaving: "Like the moon you turn a grainfield silver."

I also found Californication. I can relate so well to Hank. I could be that character, sincerely stumbling along in the journey of manhood, though I haven't published a book, don't own a Porsche, and definitely don't have women throwing their phone numbers into my car. Oh the fragile artist. Damn those expectations. The journey can be very hard. Nevertheless, it's all worth it. You get the feeling and the vibe. You carve out a place of acceptance. Of all those people who claim to know you, only a handful ever does. The only question is whether you count yourself among them.

The show is also an introduction, for me at least, to many cool covers of songs, e.g., Rocket Man by My Morning Jacket and Paranoid by Gus Black.

Polyphonic bliss

I fully enjoy the entire realm of music; most of all, I love being surprised by the sounds of a new band. Sure, I like those masterpieces that grow on you and finally conquer your consciousness, but I also love those catchy tunes you like right away and listen to a hundred times. About an hour I read my JamBase newsletter, an awesome source for new music and concert videos, and clicked on the link for Polyphonic Spree's new video, We Crawl. Definitely a catchy tune and cool video, a collage of 23 video sources. Lately my repeat list includes The Maker by Dave Matthews and Tim Reynolds, Walk on the Wild Side by DJ Disse, Someone Send an Angel Down by Derek Miller, Reckoner by Radiohead, Count Yourself In by Ten Second Epic, Pukalani by David Kahiapo, Maburk by DJ Fabian Alsultany, Narayanate by Uday Shankar and Pan Pan Pan Remix by Nufin-Yin who samples Noam Chomsky.

It's a sad sad day

I was hoping that Obama would draw much closer to consolidating his leadership in New Hampshire, but the same old prevailed. It wouldn't have been as bad if he'd lost to Edwards, another candidate with a strong platform, but Hillary? Sure she's strong, smart, powerful, and influential; however, she's also a chameleon constantly changing to suit the polls and has way too many vested interests. Indeed, being so tied down there is little she could change in terms of America's foreign policy and its general lack of regard concerning the environment and justice.

Mayan bliss

Right now I am sitting in the Solstice Cafe on the bottom of Pandora enjoying a cup of Mayan Hot Chocolate, a perfect balance of spice, sweet, and smooth. Although I can't escape the gravity of 2% for long, I intend to enjoy many more of these. Pausanias, a geographer/travel-writer from the 2nd C. A.D., is my surfing subject. Lately, I've been tuning my wife's Asus Eee PC, a totally cool ultra-compact notebook for $400. If you order it on NCIX they throw in a 4 Gb memory card. Although the machine is straight forward for a Linux machine it doesn't handle WPA very well. Thankfully the eeeuser.com wiki has an entry on advanced WPA configuration that worked well for me.

Identity and Culture (Finding myself through it)

Identity has always come hard for me. My childhood was a collection of moves: born in Canada, moved to California, then Indonesia, then back to California, then Saudi Arabia, then Italy, then Canada. A circuitous route, for sure. What made it more disparate were the visits every six months outside of these locales. So, after a spring in Saudi, I'd go for the summer to Scotland. Then there were the moves within these countries: from the busy streets of Riyadh to an isolated compound with rich fields for the seeds of an over-developed imagination. Marshall Sella, speaking of Viggo Mortensen put it this way, "... it has made him a little foreign everywhere, and everywhere at home" (GQ September 2007, 273). When I read this quote, it struck me, as I've always felt at home everywhere, but upon reflection often felt like an outsider.

In the popular media of recent months I've noticed some similar experiences. Sandra Oh states, "No matter how much you fit in, you're the outsider, and you only realize much later how deeply the assimilation affects you. You always feel like you miss out just a little bit. You are just not the same" (Onstad, K. "Oh la la," Chatelaine November 2007, 120). Wyclef Jean states, "I feel that I am part of the American Dream but I feel that for you to have the American Dream you need to have that immigrant background, meaning that at the end of the day we all are immigrants so we should still be treated with respect" (The Hour, October 30, 2007). Perhaps, the most extreme case of cultural dislocation is that of the American soldier in Iraq, who in the course of 48 hours moves from the front-lines to the couch at home; he then returns after a two week visit, a trip that includes moving through various paradigms, e.g., camaraderie vs. family integration, friend/foe vs. loved ones, alertness vs. relaxation, and duty vs. expectation.

My identity has been shaped by various factors over the years and has taken the form of many personal narratives, e.g., the traveler, the student, the independent. However, the obscure nature of Canadian identity has hampered my journey, i.e., establishing what is uniquely Canadian is a difficult task. Thus, my journey has included establishing what being a Canadian is. I have done so by learning the history, listening to its great musicians, reading its literature, and talking with many of its citizens. Nevertheless one can only do so much, but I have noticed a few things. First, many are looking for definition. It is a frequent topic that has spurned many debates and Molson TV commercials. Second, regional variation has muddled the issue. I once entertained one way of commenting on this diversity, as well as obtaining my 15 minutes of fame, but the threat of jail-time dissuaded me: during an election in rural B.C., I would post election signs for a fake candidate that was running for the Parti Québécois. The reactions would not have been pretty.

In the last ten years on the west coast (I can only comment from this perspective, though I live vicariously in the east coast through the music of Stan Rogers), native art has become a significant expression of our culture. It has dominated all new public buildings and I can't complain, e.g., Bill Reid's Jade Canoe is amazing. Nevertheless, I wonder what it is replacing. What would be the Olympic symbol if this weren't the trend? A lumberjack, a miner? Yes, pre-90's the west coast was defined by its dependence on natural resources. For some reason the Pacific Rim connection never took a firm hold on the coast despite a number of sister cities and Japanese immersion programs. Then came the wave of First Nation's art. At first I found this choice ironic, since there have been so very few treaties negotiated (Tsawwassen this year was only the second). Then, I realized that this art grounded us. It is an art that transcends the lumberjacks and real estate developers from Hong Kong; furthermore, by transcending the modern, it complements, rather than clashes with, the rich cultural diversity of the west coast. Its modern interpretation provides the sophistication needed for cultural cache in larger cities. Lastly, the art was authentic: it was part of a flourishing prompted by the return of many First Nations to their roots.

Among First Nations is one place that I have always belonged in Canada, though my white skin obviously betrays me as an outsider. Learning the history of the land has grounded me and provided meaning for me. Certain sites and landscapes take on new meaning for me as I learn the place name and its meaning in the original language. This experience has also made me more Canadian: I can't tell you the number of times I passed by the Quw'utsun' Cultural Centre, but this summer I finally visited it and was really impressed. The dancers, carvers and interpretive guides provided a rich experience among amazing displays and relics that was topped off by an amazing meal at the Riverwalk Cafe (the Bistro at Cherry Point also owned by the Cowichan Tribes is very good also).

Another source of richness in my Canadian education has been the CBC, especially radio: Peter Gzowski put me in touch with the personal, quirky and interesting; Michael Enwright with the sophisticated; Stuart McLean with the funny, but more so with a rich appreciation through his poetic descriptions of Canada; and Sheila Rogers with diverse, but everyday Canadians and issues. Then there's As It Happens that uniquely Canadian show and thanks to them I listen to Alan Maitland read The Shepherd every Christmas.

In the end the diverse nature of Canada does not make it indefinable, rather it's part and parcel to the process. Culture, though diverse, does provide the social norms by which Canadians can define themselves.

Mearsheimer and Walt

Mearsheimer and Walt were the first to provide a clear and concise report on the extent and impact of the Israel Lobby in the U.S. As would be expected, given America's unofficial, yet very effective, publication ban on the subject of Israel, they were unable to publish the article in the States (despite an initial interest by Atlantic Monthly). The London Review of Books (LRB) not only published it but also provided the links for an unedited version of the article. Both versions are well worth reading. The main point of the article is that U.S. foreign policy is directed by domestic politics and the Israel Lobby. To show this they note that Israel not only receives (and has since 1976) the most aid, one-fifth of the foreign aid budget, but also receives it in one lump sum at the start of the year without any stipulations. They then show that Israel is a prospering country that really requires no aid, since it has little strategic value for the States. To sum up their analysis, and really prove their case, they present a short history of the Lobby and its rise to such significance.

A few months after its release Mearsheimer and Walt were interviewed concerning the article:



In this interview they discuss the various accusations made against them, e.g., being anti-semitic and in league with David Duke, and the extent of Israel's role in forming American foreign policy.

Progress and Why I like Obama

About a month ago I was talking with some friends about the state of the world (see Middle East Mess). Inevitably, given I was talking, I mentioned the hope I have in Barack Obama to bring about some change for the better. At the time I was jaded by the polls, specifically Hillary's lead in them, so I mentioned Obama in a context of running with Gore; I said, "for the sake of humanity Gore must run". Although this thinking is no longer necessary, the knot in my stomach that American voters may once more be swayed from common sense has not diminished. I am tense with anticipation to see the New Hampshire results.

Since I have been blinded by Ate (like Agamemnon, so caught up in a rage about the situation) and have unconsciously omitted any mention of the solution, Obama, in my blog, I'll briefly discuss why I like him. I first heard about him when a friend mentioned his book The Audacity to Hope. My friend's description of the man intrigued me, so I read part of the book myself and checked out his campaign website. I watched his promo-video and was blown away by both his message and his oratory. Then I have followed the polls, read a number of interviews and watched his speeches. Although his charisma, intellect, and speeches are appealing, it is the sense that he makes that really impresses me. These qualities tell me that he has what it takes to make the changes he proposes. He has vision and appreciates consensus, though he is strong enough to stick to his guns. He has shone a light on the bad in U.S. domestic and foreign policy, though not in a demeaning manner. He has a conscience and is not afraid to be guided by it. I don't think he'll uphold the banishment of habeas corpus and extradition points.

Yes, I must acknowledge the sceptic. There is The Machine. Will he even know what the CIA is doing? Will they or some other person attempt his assassination? Will he even get elected? Sure, I worry about these points but something has got to change. How far can things go? Nevertheless, I feel Obama has what it takes to turn the country around. His actions may not be perfect, but he has one hell of a task to turn around such a mass with so much momentum. He is truly a Kennedy, Luther King, and Roosevelt for America. Come on New Hampshire!

Still too early to tell?

Bravo Iowans! Bravo Obama! I love what he said after his victory in Iowa, "We are choosing hope over fear. We are choosing unity over division and sending a message that change is coming to America." I really hope that the citizens of New Hampshire do the same on January 8th.

Differentiating products?

Lately, a number of advertisements have included speech bubbles with catchy, yet banal statements like "Now that's different!" and extraneous adjectives such as "ultimate," "cool," and "amazing". Presumably these statements help the modern consumer make an informed choice; they provide the "skinny" for the shopper who does not wish to be burdened with details or draw any conclusions for themselves. Nevertheless, they're doing much more than the thinking for that shopper. They're blatantly informing them of their preferences; before, it has always been subtle, manipulative and conniving. Can't a reasonably informed shopper determine what is different or amazing? Given that I'm a techie I ignore these speech bubbles and focus on the features, but they still grate me the wrong way. They should read "good margin," "better margin," and "best margin". These statements do not shine like the newly waxed and elevated car at a dealership, rather they read with the intended simplicity of a children's book. Just give me the features, so that I'll know what I'm getting and, yes, so I can rattle them off to anyone that shows the slightest interest in my latest purchase. Come on advertisers, you've already duped us into double mortgages for flat screen TVs, do you have to add insult to injury by insulting our intelligence?

Shock Rock

Lately, I have been thoroughly enjoying the sounds of Shock Radar. Here, you can sample a bunch of songs and download a few of them; the highlight of this site is virtual concert video where they perform Methadone. At the end of the film they mention doing a cover of War Pigs. I guess this is the reason why I like the music so much; it satisfies my desire for a nostalgic yet progressive sound. System of a Down is another band that does the very same thing.

The latest Vinyl Cafe podcast (a fantastic show, also available on streaming and conventional radio, that will engender a deep appreciation for Canada in you and make you laugh so hard you ...) featured a band called Great Lake Swimmers. They have a very interesting sound, combining 70's folk standards with the subtleties of "alternative" music. Plus, as a bonus, they maintain the non-violent protest lyrics of the 70's.

On a totally separate topic, check out this hilarious video. It is in German, but you get the point anyway.

Creation Care

Last month I went to the Creating Wealth and the Created World conference at Regent College in Vancouver. They have just recently posted the notes and presentations of some of the speakers, notables such as Preston Manning and Clive Mather, on their website. The facts on the oil sands alone is worth a visit to the site. A favourite of mine from the conference was Cal DeWitt, he is an impressive individual who passionately yet eloquently communicated his concerns and wisdom concerning the environment. His work with the Town of Dunn, a sustainable community, is particularly laudable. All of the ordinances are posted on the website, so other towns can use them for their own use.

See Biblical Environmentalism? for more on this subject.

While I was speeded to UBC aboard the new network of express buses I read that TransLink intends to implement a wireless system which will post information on arrival times, change traffic lights so buses can maintain their schedule and, perhaps, offer wi-fi on board the bus (something even B.C. ferries can't even pull off). My bliss on public transit was rudely interrupted when I had to wait for 25 minutes for the bus to arrive on the Swartz Bay side. Then the bus weaved its way through Sidney and many hours later I made it home. Victoria transit, in my experience and to my chagrin, runs has buses arriving early at stops (sometimes up to 5 minutes early) and has poor connections, although I have seen some progress on the latter in recent years.

Rendition and Torture

A friend of mine who is a source for many documentaries recommended I watch Taxi to the Dark Side (BBC) and Extraordinary Rendition (PBS documentary by Stephen Grey, the author of Ghost Plane; this website is excellent, here you can watch the film and read a chapter from the book). My spirit sank as the last hope for disbelief was squashed; it was as bad as I knew it would be, but the protective barrier that my subconscious had erected was now razed. I have asked myself repeatedly how this can happen. Jeffrey Addicott, a former U.S. Army lawyer who advised the Bush administration on its policies for torture answered this for me. In Extraordinary Rendition he states, "Justice, in my view of things, is the last priority as it is in any war." Some very disturbing facts presented in Taxi are: 1) only 5 to 7 percent of all detainees have been captured by Coalition Forces. In the case of Daliwar, the main subject of the documentary, it turned out that the commander of an Afghani regiment had rocketed the U.S. base and turned over innocent civilians to take the rap in order to gain credibility with the Coalition Forces. Is it too hard to believe that local militias would hand over innocent people for their own gain especially when a bounty is involved. 2) only 9 percent of all detainees had any links with al Qaida.

What is most disturbing, even haunting, is that no one has been held responsible for these actions and the Bush administration continues to justify these means. Worse, even when it yields to public pressure and officially bans these acts the administration continues to employ them via different means. The latest version is for independent countries such as Kenya to rendition subjects themselves, in one case 11 children were among those taken and held, so countries like the U.S. can interrogate them. Now the U.S. does not do the rendition themselves, but still, allegedly, tortures these victims itself. Allegedly? Whether U.S. citizens administer the torture is irrelevant, they still support the practise while they ban it.

Duplicitous, vague and obscure are appropriate adjectives for this administration; somehow, there is no paper trail, the practises of torture from Bagram transferred (with Captain Wood) to Abu Ghraib then practises specifically reserved for Guantanamo were administered in Bagram. Since my discovery of the Project for the New American Century in 2001 (see my entry Duped from May 2006) I have wondered when people will wake up. At least there has been progress, e.g., these documentaries and Dennis Kucinich's motion to have Cheney impeached. Nevertheless, it will probably take 20 years for the common individual to truly comprehend the extent of this administration's nastiness. What troubles me is whether all administrations, including those of my country Canada, have been so underhanded, the dirty deals so dirty. Is the Bush administration especially bad or has 9/11 just let them do it all publicly with the peoples' rubber stamp, given that extreme times require extreme measures. Keep your head up.