Furthermore, although the story-lines are clear the means are not, e.g., the viewer knows he will cut his hand on the deli-slicer, but assumes (and is led to believe) that it would be by accident. The same goes for other implements of self-mutilation, the razor blade and stapler. Nevertheless, the means lead only to partial redemption. This remains the real tragedy; thus, one wonders how things could have been different, e.g., will his daughter struggle with the finality she had hoped for? The soundtrack, full of one-hit-wonder hair-bands, adds to the surreal nature of the film. Springsteen alone encapsulates the wrestler himself. Springsteen with his return to the husky ballad captures the wrestler’s soul whereas the hair-bands merely represent the wrestler-as-performer’s culture. Although the number of loose-ends seems disturbing, the film is really worth watching on so many levels, the most important being the katharsis it provides.
Furthermore, although the story-lines are clear the means are not, e.g., the viewer knows he will cut his hand on the deli-slicer, but assumes (and is led to believe) that it would be by accident. The same goes for other implements of self-mutilation, the razor blade and stapler. Nevertheless, the means lead only to partial redemption. This remains the real tragedy; thus, one wonders how things could have been different, e.g., will his daughter struggle with the finality she had hoped for? The soundtrack, full of one-hit-wonder hair-bands, adds to the surreal nature of the film. Springsteen alone encapsulates the wrestler himself. Springsteen with his return to the husky ballad captures the wrestler’s soul whereas the hair-bands merely represent the wrestler-as-performer’s culture. Although the number of loose-ends seems disturbing, the film is really worth watching on so many levels, the most important being the katharsis it provides.
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